Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Bernardo Bellotto
Ansicht von Pirna, Pirna von der Sudseite aus gesehen, mit Befestigungsanlagen und Obertor (Stadttor) sowie Festung Sonnenstein

ID: 89773

Bernardo Bellotto Ansicht von Pirna, Pirna von der Sudseite aus gesehen, mit Befestigungsanlagen und Obertor (Stadttor) sowie Festung Sonnenstein
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Bernardo Bellotto Ansicht von Pirna, Pirna von der Sudseite aus gesehen, mit Befestigungsanlagen und Obertor (Stadttor) sowie Festung Sonnenstein


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Capriccio, Palasttreppe | Carmelite Church in Warsaw. | Colonel Piotr Konigsfels teaching Prince Jozef Poniatowski how to ride | Capriccio Veneto | La Piazza della Signoria a Firenze |
Related Artists:
Elisabeth Louise Viegg-Le Brun
Paris 1755-1842
GOSSAERT, Jan (Mabuse)
Flemish Northern Renaissance Painter, ca.1478-1532
VARIN, Quentin
French Painter, ca.1570-1634 French painter. He was the son of a shoemaker and from 1597 to 1600 was in the papal territory of Avignon, where he worked with a local painter, Pierre Duplan ( fl late 16th century), enrolling also in the local painters' guild. By 1607 he had returned to northern France, and he was married that year at Amiens. In 1612 he was working in the Norman village of Les Andelys, and there he became Nicolas Poussin's first master. For the Gothic church of Notre-Dame, Le Grand Andely, he produced in 1612 a Martyrdom of St Vincent, a Martyrdom of St Clarus and a Regina Coeli (all in situ), the works that provided Poussin with his first contact with contemporary painting. These are the earliest fixed points in Varin's oeuvre, although a ruined Rock of the Philosophers (Rouen, Mus. B.-A.), reminiscent of such late 16th-century French Mannerist painters as Antoine Caron,






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